Following up his previous album Anomaly
 from five years ago, Ace Frehley has again written and performed the 
majority of this himself, which while it sounds great in theory does 
tend to narrow its ability to surprise. He might be a talented - and 
legendary - guitarist, but sometimes it helps to have a bit of input 
from other people in regards to the other parts of the process.
The
 first half of the album is listenable but suffers from the lack of a 
really good lead vocalist out front to make the most of what has been 
written. "Space Invader" is a good hard rock song, with a singable 
chorus and a great solo spot from Ace, but the change in timing between 
verses and the lead break is a little mystifying. "Gimme A Feelin'" is 
more characteristic of that other band Ace was once in, and pull the 
right strings in most departments. "Change", "Toys" and "What Every Girl
 Wants" all favour that simple hard rock theme of basic back beat and 
vocals, shove in a guitar solo, and move on to the next one. Some songs 
are less inspiring, such as "Immortal Pleasures" and "Inside the 
Vortex".
The thing that sets this apart from the KISS albums and 
various other solo projects is this - whereas Paul Stanley can write a 
great song, and sing them just as well. Ace does what he does well (ie 
play guitar), but he doesn't write songs as good as Paul's. Like the 
majority of work Ace has done in his years since KISS, this is hampered 
by some mediocre song writing, and lackluster vocals, because let's face
 it, Ace is not a lead singer. But what it does have is Ace's guitar, 
and while he may not be the best ever, his is a signature guitar sound, 
and his solos still hold enough to make you listen and say, "Yeah, Ace 
can still play". For the most part though, the songs are stereotypical 
harder rock songs that survive on a blues based drum and bass beat that 
sticks to a similar timing all through each song of the album. Added 
over the top of this are Ace's monotone vocals that barely raise any 
enthusiasm throughout, and certainly do not inspire any excitement or 
heart thumping. In between these comes Ace's guitar, which during the 
basis of the songs barely makes an impression, before breaking out for 
short sharp solo breaks that remind you, "Hey this is Ace Frehley!"
Seriously,
 "Reckless" could have been an eight second short piece that was then 
placed on a loop and repeated twenty times, because it doesn't seem to 
change a whole lot during that 4+ minutes. Then there is the cover of 
"The Joker". Really? Is this necessary? Is it an album filler? Or did 
Ace just want to do a cover of this song? It's real problem is that it 
doesn't bring anything new to the song at all, apart from Ace's 
interpretation of the solo break. the rest is just business as usual. 
Drab. "Starship" is the instrumental closer, which is more of an 
opportunity for Ace to express himself on his guitar, but again this 
seems to just drift into stratosphere without direction, and its length 
overplays itself, and almost feels as though it is just long for the 
sake of it, rather than because there is something to listen to or 
enjoy. It's not bad, it just isn't overly interesting.
There is 
enough here for fans of Ace to enjoy, and perhaps rate higher than I 
have. I find myself troubled by the flaws more than I am impressed by 
the good spots on the album, which dominates my enjoyment of the album 
overall. It's not a complete loss, but I just get the feeling it could 
have been a lot better by adding a couple of components and losing a 
couple of others at the same time.
Rating:  When I play with you there is a chemical reaction.  2.5/5

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