The start of the album could almost have picked up right where they left off with All That Remains, with “Under Blackened Skies” and “Martyr No More” retaining the best of what Fozzy showed us on that album. From this point on, though, there is a lot more experimentation with their style.
“Broken Soul” is an average attempt at ballad-type song. It just lacks the power and enthusiasm that most of the songs here contain, and as such it feels a bit half-arsed. It almost sounds as though they were attempting such a song just to see if they could pull it off. They could not.Add to this “New Day’s Dawn”, because this seems to be attempting something similar, and it really doesn’t work. Both these songs for me detract from the album. I’m not a nu-metal fan, and it seems to be where this track in particular is leading.
Redemption is immediate with the excellent “Let the Madness Begin” and “God Pounds His Nails”. Both are much more up-tempo, and Jericho’s vocals are at their best here.“Pray For Blood” is a bit cheesy, but Jericho is able to make it work. “Revival” is almost epic in stature, attempting to bring all of the instrumental aspects of the band to a symphonic rhapsody.
Probably the highlight of the album is the closer, “Wormwood”. Unapologetically Dream Theater-esque, this is Fozzy’s attempt at prog rock/metal, and they pull it off brilliantly. Everything about the song shows the amazing versatility of the band. There is no pretence as to the direction this song is written musically, and though it is not Fozzy’s typical song style they do it so well you cannot help but be impressed.
Overall, the album sits above average. Rich Ward is again the stand-out here, his guitaring and riffs once again fully underrated in the wider community. Whether the band has enough commitment to continue in their current line-up is possibly open to question, but this release certainly justifies their continuing efforts to do so.
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