Given the improved success of their obvious attention-grabbing previous album, the sequel named Operation: Mindcrime II
the writing core of the Queensrÿche band obviously decided that they
were on a roll, and that the next step was... another concept album.
Because lightning always strikes twice, or three times. No... wait...
Anyway,
this is the direction they went in. That's fine. Nothing wrong with
having a theme or story running through an album. More important of
course is that the creative process is in place, and that the lyrics are
sustainable, and that the music itself is enjoyable to the fans. In
pretty much every one of these facets, this album falls apart, and
badly. There is nothing particularly wrong with the concept, that being
focused on the events of war in general, but American Soldier
is a flawed concept in all areas of song writing. The songs all
struggle their way through at a melancholy, even funereal pace.
Lyrically it just seems to repeat itself over and over. Songs are
permeated with the interviews of actual soldiers, which is fine if you
want to listen to actual soldiers giving their own stories. Honestly, in
a song-listening mood, they are just a hinderance. Or in most cases
this would be true, but when you have the unimaginative instrumental
creations that you have here it doesn't really detract that much. Why
would you create such boring, banal music which creates no enthusiasm
for the listener? As I said, it is all and fine to set out a story within the
framework of an album, but if the music does not inspire or enthuse or
ROCK the listener, then how can you possibly hope to retain your fan
base?!
The music here is definitely leaning towards a grunge
element. In many places it sounds like Soundgarden or Nirvana or Alice
in Chains - but without their killer hooks and sponteneity. This just
plods along from song to song, barely discernable from one to the next,
and not really giving you any real motivation to even try and make the
effort to find out. Where are the brilliant duelling guitars that
punctuated Queensryche's earlier work? Where is the scintillating
drumwork that drove the songs, not just kept a solemn beat in the
background? They may as well have had a drum machine in the background for
all the use they get out of Scott Rockenfield. Why is this happening?
What has caused this enormous change in focus direction with this band's
music? There is simply nothing here to get enthused about musically or
lyrically.
I revisited this because of the recent break-up
within the Queensryche band, and the rhetoric that is going back and
forth as to whom was responisble for the direction of the music in the
band and who was writing what. No matter what the outcome, it is obvious
that this album at least was driven forward by Geoff Tate and his
co-writers, who are not a part of the band.
In the long run, this
album is just a major disappointment and completely out of synch with the
best music that this band has written and performed at its peak. There
is no doubt that Tate's voice is still just wonderful, and that the
msuicianship is crisp and clear. The songwriting is just of such a
boring and uninspiring standard that it is difficult to believe this is
the product of the Queensryche brand. Something needs to change if they are to
rediscover their mojo, or they will be left to wallow in mediocrity
forever.
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