Following on from the experimental haze and daze that was Hot Space, Queen continued to push ahead with their trailblazing feats with The Works,
an album that mixed radio hits that reclaimed their identity as one of
the world's biggest bands, but mixed style and substance with a variety
of music genres that continued to allow them to market themselves to the
widest possible audience.
Hot Space had
divided Queen's fan base, with many unable to dissect what they were
trying to achieve with the vast change in style the album contained. The Works
probably did not win back all of those disgruntled fans, the ones that
had been with the band since their inception. However, a new crowd of
teenagers climbed on board with their radio hits, and then could absorb
the different approach of the songs that make up the whole album.
Kicking
off with the unapologetic pop anthem "Radio Ga Ga", this is very synth
based in the style of the previous album, but comes through tougher in
the chorus with a crowd-like chant which gives it a rock feel that
defies it's musical background. This kicked goals for Queen on the radio
as it was given huge airplay. "Tear it Up" follows, and is Brian May's
attempt to revive the hard rock edge of Queen, hailing back to a style
more reminiscent of their earlier albums. This is replaced by Freddie
Mercury's "It's a Hard Life", which is dominated by his soaring vocals
and melodies, only broken up by May's wonderful guitar solo in the
middle of the song.
"Man on the Prowl" is reminiscent of another of
Freddie's rockabilly songs, "Crazy Little Thing Called Love". However,
on an album where I find every other song has an impact and a place,
this has always been the one song which makes me a little less enthused.
Even on a album that has this much variety in its song structure, I
still find this is out of place. This is recovered by the unique and
brilliant "Machines (Back to Humans)", a song that again has a heavy use
of synths to create the robotic performance the song was looking for.
John
Deacon steals the show again with his hit single "I Want to Break
Free", which got mega air time on music channels with the video for the
song. Like his best songs, "I Want to Break Free" juts along with his
terrific bass line, while the others fall into line around it. "Keep
Passing the Open Windows" is another Freddie special, where he again
writes spectacularly for his own vocals, which convey all the right
emotions of the song. It has always been my second favourite song on
this album. My favourite, perhaps obviously, is the thundering "Hammer
to Fall", which, while always sounding great in this studio version, has
always been a live song, and one that grows in stature in that
environment. The album concludes with the thought piece "Is This the
World We Created?", which was written about the poverty in Africa, and
was subsequently played at Live Aid as an encore.
Fans reactions
to this album has always been a mixed bag, with many fans of the band
who had followed them from the start of their career being less enthused
about it than those who were only just discovering the band at this
time, or had been drawn to the band by the success of the radio singles.
The Works was one of the first albums I ever
bought, and though I had heard earlier singles from the band on the
radio in my pre-teens, it was this album that made me a fan of the
group, and subsequently went looking for their earlier albums from this
point. While I don't consider this to be their masterpiece (that is
probably still A Night At the Opera or perhaps even The Miracle),
I still have very fond feelings and memories of this album. It is still
prominent in all of my memories of 1984 and 1985, and is part of the
soundtrack of that time of my life.
Rating: We just wanna scream it louder and louder. 4/5
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