The Christmas holiday period in Australia always finds me looking back in time with rose coloured glasses on, back to my high school days and the music that dominated that time, both metal and pop music. So when you come across an album that fuses the two together, making metal anthems out of 1980’s pop songs, it is something that is hard to ignore. Thus over the past couple of months I have discovered Northern Kings and their two cover albums, starting with this one entitled Reborn.
Not sure why an album like this has to be released? Well, the answer is why not? This is a one-off super-group type of situation, with the four vocalists - Jarkko Ahola, Marco Hietala, Juha-Pekka Leppäluoto and Tony Kakko - from various Finland metal groups coming together to bash these tunes out. And for anyone like me who not only remembers all of these songs when they were released but also prefers heavier music, this is an enjoyable exercise.
Journey’s “Don’t Stop Believin’” has probably always been a song that could lend itself to a reimagining, and this is one of the better cover versions here purely because it has been speeded up and given a raucous middle section dominated by the duelling guitar and keyboard solo along with the double kick. One of the kings of the AOR movement is given a perfect power metal overhaul here and sounds fantastic.
The version of Tina Turner’s “We Don’t Need Another Hero” from the movie Mad Max: Beyond Thunderdome is perhaps the standout and certainly my favourite in this collection. It doubles down on the emotion of the original track and doesn’t move too far from the structure except to beef up the power and energy throughout. It is still impossible not to sing along at the top of your voice through the chorus, and the four voices together (the only track where all four are involved together) give this a fitting treatment.
Mr. Mister’s “Broken Wings” also sounds great, thanks to Tony Kakko who does a great job on the vocals for this track. On the other hand, Billy Idol’s “Rebel Yell” has gone in a different direction, going for the slower and lower approach which is the opposite of the vibrancy of the original. I appreciate that they needed to change this version to do something original with it, and I do think that it is fine in that respect. I just love the anger and fire of the original too much. I’d have loved to have heard a real power metal up-the-ante version of this. David Bowie’s “Ashes to Ashes” is giving a fitting tribute which still giving it a varied sound which gives it its originality. To be honest I think Northern Kings version of “Fallen on Hard Times” is better than Jethro Tull’s original, giving it a life that Tull never did. It’s a great track and makes me listen to it in a different way now.
Another high energy track given a slower and more introspective version is Cutting Crew’s “I Just Died in Your Arms”, which to me deserved a real speed metal version instead. Peter Gabriel’s “Sledgehammer” sticks closely to the original piece, which is a good thing because it would be an easy song to make sound bad if you are not careful. This rendition is faithful and retains the vibe of the original. This is completely different from the version of Electric Light Orchestra’s “Don’t Bring Me Down” which is given a complete makeover and given the speed and vibrancy that power metal invokes. It is pretty much a completely different song with the same lyrics such is the change in the output. It takes a bit of getting used to if you know the original song well, which most people of my generation will. In the case of the Phil Collins hit “In the Air Tonight” the band again plays a more energetic version of the track without steering too far from the structure of the song, thus giving it a power metal feel without cracking the song for the purists.
There have been a couple of excellent and interesting cover versions of Radiohead’s “Creep”, though I wouldn’t number this among them. They have gone for a heavier slower version rather than go in the other direction, and to my thinking it would have been more interesting to hear that tested out instead.
A close second to song of the album is the souped up, double time version of Lionel Richie’s “Hello”, which is perfectly performed on vocals by Jarkko Ahola. Once again the emotion of the track is enhanced, while also giving the music an edge and a drive that the original does not have. Excellent. The album concludes with “Brothers in Arms” from Dire Straits which holds itself much to the same tempo as Mark Knopfler’s version which perhaps hinders the end of setlist because of it.
Like I said at the start, for anyone who grew up in the 1980’s listening to these songs on the radio and who also doesn’t mind hearing them get a fresh coat of paint this a well worth searching out. After a few listens I was hooked, and I can now put this on at any time, in any company, and get a kick from it.
Best songs: “We Don’t Need Another Hero”, “Fallen on Hard Times”, “Sledgehammer”, “Hello”.
Rating: “All we want is life beyond Thunderdome.” 4/5
No comments:
Post a Comment