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Friday, March 01, 2019

1105. Last in Line / II. 2019. 3.5/5

For a band that started out a few years ago as a reunion of sorts of the original Dio band, sans their iconic lead singer, to play the songs of that Dio era for a few gigs, this has progressed into an interesting and impressive combination. There has been some shuffling in personnel, but this has become more than just a side project for those involved. The band has grown solid together, and following the release of their debut album Heavy Crown full of original music, it was actually gratifying to hear that we would be treated to a second round and would get a follow up album. And that is what we have here in II.

For those that are wondering – no, this does not sound like those early Dio albums, nor does it sound like any Dio music. Well, actually, there is one exception to that. The song “Sword from the Stone” sounds a lot like the Dio song “Blood from a Stone” off the Strange Highways album in both tempo and vocal character, but only Vinny Appice had anything to do with that 1994 album, and without doubt this is more a coincidence than anything else.
“Blackout the Sun” is a slow beginning, going for the old fashioned (new return?) slow hard beginning – and mirrors some 1990’s Soundgarden in the music and vocals. This could also be said of “Give up the Ghost” and quite possibly “The Unknown”. Peculiar to say the least. “Landslide” has a better tempo throughout until we reach the chorus, but that can be forgiven. Vivian’s solo is a delight however. “Gods and Tyrants” is another song where the tempo is rather tepid until we get to Viv’s guitar solo, where it then gets up to where all of these songs should be sitting. His solo again on this song is just terrific. Herein lies the tale of this album.

I enjoyed the first album. It has some terrific songs on it, mixed with some that don’t work as well. I absolutely came into this album with the hope and desire that we would hear more speed in the tempo of the songs, in the way that the early Dio material had. I didn’t expect it, but I hoped for it, mainly because I knew the four members of the band could do it, and it would stretch them back to a time when they played that kind of stuff on a regular basis.
What we have instead is four very powerful performances. Andrew Freeman’s vocals are fantastic, strong and full of energy, a terrific combination throughout. He is truly wonderful and there is no doubting his quality. Phil Soussan’s bass and Vinny Appice’s drums form the solid base that holds the songs together. Both are veterans and professionals with a rugged and immovable style that dominates the structure of most of the songs. The sound of both on this album is enormous, there is nothing being hidden, they are all up in the mix which provides a huge sound.
If I’m going to be hyper-critical of this, then in many ways what creates the slight ambivalence I feel for this album comes down to Vinny’s drumming. It could very well be the way he has been asked to play these songs (something he had from Dio on many occasions from all accounts), but his staid, staccato style of drumming does tend to emphasise the slower tempo of the songs, and this makes some of the tracks harder to enjoy. That’s an easy thing to say when you are a fan of faster songs and albums like I am, but I do believe in this case it just drags back the album overall. If that’s a writer's call, then the band has obviously gone down this route and they are all in this boat.
But really, why the change of tempo even within songs themselves? “False Flag” is the absolute standout on this album, and I’m not afraid to say that if they had written songs like this for the entire album it would have become a modern-day classic. Freeman’s vocals soar in the way that showcases his greatest attributes, and Viv’s guitar riffs are brilliant, and his solo is a gem. But even here they muck around with the change within the song that just gets to me. I just want them to let go off the reins and let this song (and others) have its head and career off it the distance. For me II lacks that punch that would make it a stellar release. I have no doubt others will find it perfect for their tastes for the reasons I have trouble with it.

We all came to this band for one reason only. Vivian Campbell. He is the one that we all follow, in the hope that we get just a little glimpse of the guitarist we all fell in love with back in 1983. There is little doubt that this album contains his finest work since he left Dio. That is not to have a go at the way he plays in Def Leppard, Riverdogs and other projects. It is just that here we really hear how he can play without the confinements those other bands may have on his guitaring style. Every single solo on this album is brilliant, without fail. If you could just cut out the rest of this album and have Viv’s solos back to back, it is a five-star album. There are other brilliant riffs on the album, and there are a majority of songs here that are great – but it is Viv’s guitar work that is the top-notch highlight over everything here.

When all is said and done I may appear to be putting down this whole album, and that’s not the truth. It’s not all my style of hard rock or metal, and that frustrates me a little. Everything I hear on the album is fantastic, all I want is a faster pace of song to really get into, rather than the slightly clunky tempo most of these songs sit at. That being said, I am still listening to the album five times a day and have no thoughts of replacing it anytime soon, so it can’t be all bad, can it?

Best songs: “False Flag”, “Electrified”, “Landslide”, “Year of the Gun”

Rating:  “Break our backs, break our hearts, but you're never gonna break me.”  3.5/5

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