Given that Rob Halford had returned to
Judas Priest some years earlier, and that two albums had been released
since the reformation, is it unusual that Halford himself still felt the
need to go out and release another album on his own? Was he not getting
enough fulfilment from his band, or was it that he enjoyed being able
to express himself away from that writing partnership? Or was it just
that he enjoyed being busy and releasing music, while the output of
bands as they get older always tends to wind back. Whatever the reason,
here is the fourth album under the Halford banner with the message
plainly stated in the title - Made of Metal.
The fact that this
is a return to his successful partnership with the influential Roy Z as
producer and co-writer is also significant, and it is also a delight to
have him playing on the album as well. Roy Z's influence in the solo
careers of both Halford and Bruce Dickinson is beyond significant, and
his ideas are always worth hearing in a musical sense. I particularly
love his guitar solos, there is just something about them that appeals
to me. Metal Mike Chlasciak returns on the second guitar and blends in
beautifully with Roy. Mike Davis on bass guitar and Bobby Jarzombek on
drums provide the perfect platform in the rhythm section.
To the
album itself, and to be honest it is a mismatch of styles here, and all
of it seems to be either fighting to set itself aside from his work with
Judas Priest, or then on the other hand deliberately trying to align it
self with that work. The songs blend from the faster and heavier songs,
to the mid-tempo chorus sing-along songs, to the slower and more
reflective tunes that, depending on your own tastes either work
amazingly well or just slow down the progress of the album. I guess you
know my feelings on this by now. "Twenty Five Years" would be the case
in point. This song is molasses-slow and long, stretching out beyond
seven minutes with barely any respite or excitement. Judas Priest made
this mistake with "Loch Ness". I know there are fans out there who will
love this, but it just doesn't fit the profile at all. Why have a song
like this, and then follow it up with "Matador", which rattles along at a
faster pace with a solid riff, double kick drums and attitude in
Halford's vocals. I admit I don't get it, but it isn't the only instance
on the album. Having started off at a cracking pace with songs like
"Undisputed", "Fire and Ice", "Made of Metal" and "Speed of Sound" there
is a bit of a change in a song like "Twenty Five Years". Still, it is
his album, and Rob should certainly be free to explore all his options
when it his own release. It is still amusing that his first album under
the Halford moniker, Resurrection
sounded more like Judas Priest than Judas Priest did at the time. Now
however, a decade onwards, and both sides have slipped into this
slightly more comfortable arena.
Ignoring my moaning over one
particular song, this is a solid release once again. He doesn't over
extend his vocal range apart from in "The Mower" but the attitude and
strength is still there in spades. "Heartless" is a good example of
this, its not a racy song but Halford's vocals followed by the ripping
guitar solos make it worth listening to. "Hell Razor" is similar, with
the guitars starring in a repetitive lyrical conglomerate. Roy Z's
influence is easily heard in most of the songs that he co-wrote here,
especially in "Made of Metal", "Speed of Sound" and "Thunder and
Lightning", the harmonic guitars and layered vocals give these songs
their own style.
The positives far outweigh any negatives I might
have come up with here on this album. Certainly, in my opinion, this is
better than the two reunited Priest albums that came before this was
released. It allows the band to showcase their own skills with their
iconic frontman on centre stage, and while it may not be as furious as
one may have preferred, there are still highlights to listen to and
enjoy.
Rating: Reeling you in to a climax crescendo of sound. 3.5/5
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